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Dijon – ‘Baby’ Review: Bold Comeback Pushes Boundaries of Pop and Production

Dijon – ‘Baby’ Review: Bold Comeback Pushes Boundaries of Pop and Production

Valeriy Bagrintsev Valeriy Bagrintsev
4 minute read

Dijon – ‘Baby’ Review: Bold Comeback Pushes Boundaries of Pop and Production

Dijon's 'Baby' marks a fearless return, blending experimental production with masterful pop songwriting in a truly restless album.

It’s been a solid four years since Dijon’s debut album Absolutely dropped, instantly marking him as a generational talent with its raw emotion and shimmering soundscapes. Since then, he’s been something of an elusive figure, popping up here and there for features and songwriting credits, but never quite stepping fully back into the spotlight—until now. This year has seen the Baltimore artist build impressive momentum again, from his striking contribution to Bon Iver’s SABLE fABLE to turning heads with his extensive work on Justin Bieber’s SWAG. The surprise appearance in Paul Thomas Anderson’s One Battle After Another trailer only added more intrigue.

Dijon in a reflective moment on his bold comeback.

‘Baby’ Lands Like a Bold Statement

Dijon’s new album Baby arrives perfectly timed, but with the weight of expectation hanging heavy. Known for his perfectionism, the artist doesn’t just meet the pressure head-on; he shatters it. Rather than teasing us with singles, Baby hit the scene all at once, a restless, idea-packed collection that constantly pushes the limits of both songwriting and production.

Take the opener, "Baby!" At first blush, it’s this smooth, sensual ballad that channels the spirit of Prince at his most seductive. But listen closely—the groove warps and twists, beats cut in and out like they’re playful glitches in a sonic dream. Halfway through, Dijon’s voice drops to a whisper, surrounded by twinkling, glitchy electronics, before transforming into a woozy slice of psychedelic hip-hop.

Keeping the Momentum with Infectious Funk

Then comes "Another Baby!" - a shift to an upbeat, ’80s-inspired funk party. It’s impossible not to get caught in the infectious rhythm, but Dijon refuses to let the track settle comfortably. Vocals layer like a cascading waterfall, piano chords drop in and out unexpectedly, mirroring the emotional highs and lows of becoming a new parent. It’s no coincidence—Baby was largely crafted in solitude as Dijon navigated the overwhelming feelings of fatherhood for the first time.

A Wild Ride Through Sound and Emotion

The rest of Baby keeps you on your toes. Dijon throws a dizzying array of ideas at the listener, and most of them stick. "FIRE!" begins with tender piano that suddenly gives way to harsh feedback vocals, crashing into a chaotic beat and even a soul-stirring snippet of a cappella gospel. On "Loyal & Marie," the bark of a dog morphs into a piercing screech, adding an eerie twist to the moody drift of the track. And then there’s "Automatic," a standout that dances between muddy bass tones and bright, euphoric synths, perfectly capturing the album’s jittery energy.

Cohesion Amid Chaos: The Secret Sauce

What’s truly remarkable is how Baby manages to feel cohesive despite its wild shifts in fidelity and style. Dijon smoothly transitions from slick, multi-layered pop to raw feedback that frays at the edges, yet the songs’ core never gets lost. His skill in crafting solid, emotional pop songwriting anchors the experimental production, making the album an adventurous but accessible listen.

The evocative album cover of Dijon’s ‘Baby’.

Album Details

  • Record label: R&R / Warner Records
  • Release date: August 15, 2025

Dijon’s Baby is a thrilling exploration of sound and sentiment, a brave and restless return from an artist who refuses to fit into neat categories. It’s a record that demands attention, rewards repeated listens, and perfectly captures the tumult of life’s biggest moments—like becoming a parent—through the lens of boundary-pushing pop.

FAQs About Dijon’s ‘Baby’ Album

  • What style of music does Dijon’s ‘Baby’ feature?
    It blends experimental production with pop songwriting, incorporating elements of funk, psychedelic hip-hop, and a cappella gospel.
  • How long was the gap between Dijon’s debut and this album?
    Four years passed between Absolutely and Baby.
  • What themes does Dijon explore in ‘Baby’?
    The album dives into the emotional rollercoaster of parenthood, including anxiety, ecstasy, and drama.
  • Did Dijon release singles before the album?
    No, Baby was released as a full album without preliminary singles.
  • Who has Dijon collaborated with recently?
    He has worked with Bon Iver and Justin Bieber, contributing to their recent albums.

If you’re captivated by the artistry and emotion in Baby, why not bring a piece of Dijon’s world into your space? Shop your favorite album cover poster at our store here and celebrate this bold, boundary-pushing release every day.

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