Geese – ‘Getting Killed’ Review: A Bold, Free-Spirited Leap From New York’s Indie Rock Icons

An exhilarating journey into Geese’s evolving sound captures their fearless indie rock spirit on ‘Getting Killed’.

Ever since Geese dropped their debut album ‘Projector’ back in 2021, this New York five-piece has been quietly storming the indie rock scene. I remember the buzz among fans and music circles growing steadily; this wasn’t just another post-punk band — it felt like a glimpse into a bold new era of rock. Their sound is experimental, restless, and richly original, blending nods to their influences while forging something fiercely modern. It’s no surprise that Geese quickly became cult heroes, known as much for their daring musical choices as for their enigmatic frontman, Cameron Winter.

Their sophomore effort, ‘3D Country’, took things in a country-tinged rock’n’roll direction, showing the band’s willingness to stretch and explore different genres. Meanwhile, Winter’s solo debut, ‘Heavy Metal’, offered a deeper dive into his singular vision — a heady mix of stream-of-consciousness lyricism and magnetic unpredictability. Together, these projects set the stage for their third album, ‘Getting Killed’, a record that feels like a confident step towards cult superstardom.

Geese’s magnetic presence shines bright on ‘Getting Killed’ (Photo credit: Mark Sommerfield)

‘Getting Killed’: A Sonic Odyssey That Keeps You Guessing

Opening with “Trinidad”, the album immediately throws you into a whirl of noodling guitars and Winter’s haunting wail: “There’s a bomb in my car.” It’s an audacious start that sets the tone for what follows — an album teeming with unexpected shifts and vibrant textures. If you loved the Americana flavor of ‘3D Country’, you might find ‘Getting Killed’ shedding some of that warmth for something a bit more eclectic. But don’t mistake that for a loss of soul; instead, it’s a warm, unconventional collage of rock that feels alive and spontaneous.

The title track itself is a standout, swirling bluesy guitar riffs with an eerie, cut-up Ukrainian choir loop layered on top — a haunting, hypnotic combination. Then there’s “Taxes”, a song that gradually builds from syncopated percussion into a chiming guitar line that wouldn’t feel out of place on a Stone Roses record. The band’s ability to blend these influences while maintaining their unique voice is something to marvel at.

A Spiritual Undertone That Lingers Beneath the Noise

Listening to ‘Getting Killed’ feels like joining a wild sermon led by Cameron Winter himself. His voice often takes on the cadence of a preacher — rambling, intense, and compelling. The lyrics carry a spiritual weight too. Take “Taxes” where Winter confesses with a sigh, “I should burn in hell / But I don’t deserve this”, and later warns, “If you want me to pay my taxes / You better come over with a crucifix / You’re gonna have to nail me down.” There’s a sense of wrestling with inner demons, societal expectations, and personal salvation.

This spiritual vibe adds a fascinating layer to the album, making the music not just a listening experience but an emotional journey.

Capturing the Chaos, Mastering the Art

It’s refreshing to hear that during the recording of ‘Getting Killed’, the band once spent an entire day agonizing over choosing the perfect handclap sample — to the point they nearly forgot to finish the song itself. That kind of obsessive attention to detail combined with their freewheeling creativity is what makes the album so engaging. Despite its many intricate layers and abrupt sonic turns, the record never feels overwhelming or out of control. Instead, it sounds like a band in full command of their art, boldly experimenting while staying grounded.

Geese’s willingness to push boundaries, mix styles, and embrace the unexpected makes ‘Getting Killed’ a thrilling listen — a record that demands attention and rewards repeat plays.

Album Details

‘Getting Killed’ album artwork

• Record Label: Partisan Records
• Release Date: September 26, 2025

Have you felt that rush when a band just gets it right — the perfect blend of chaos and control, experimentation and melody? That’s exactly what Geese have achieved with ‘Getting Killed’. It’s not just a record; it’s a declaration that indie rock is alive, kicking, and wildly unpredictable.

FAQ

• How does ‘Getting Killed’ compare to Geese’s previous albums?
  It’s a natural progression from their earlier work, moving away from Americana vibes towards more experimental rock collages.
• Who is Cameron Winter?
  He’s the frontman of Geese, known for his charismatic and enigmatic presence, as well as his solo project Heavy Metal.
• What genres influence the sound of ‘Getting Killed’?
  The album blends indie rock, post-punk, blues, and even elements reminiscent of bands like the Stone Roses.
• Is there a thematic focus on the album?
  Yes, there’s a spiritual undertone with introspective and sometimes cryptic lyrics that feel like a modern-day sermon.
• What should fans expect from Geese next?
  Expect more fearless experimentation and genre-blurring sounds as they continue to evolve their unique style.

If you’re a fan of Geese’s artful chaos and want to bring a piece of their visual vibe home, check out our collection of stunning album cover posters at Architeg Prints. It’s the perfect way to celebrate this exciting moment in NYC’s rock scene.