Rosalía Drops Epic New Single ‘Berghain’ Featuring Björk and Yves Tumor

Experience Rosalía’s orchestral masterpiece ‘Berghain’ with Björk and Yves Tumor blending German, Spanish, and English in a cinematic musical journey.

A Bold New Musical Chapter Begins

When Rosalía dropped her latest single, ‘Berghain,’ featuring none other than Björk and Yves Tumor, it felt like stepping into a whole new universe of sound. If you’re anything like me—a fan who’s followed her genre-bending career—this track is a thrilling blend of classical grandeur and avant-garde pop that immediately grabs your attention.

Rosalía channels her powerful presence in a stunning new press shot.

The single is the lead from her upcoming album LUX, set to release on November 7. Named after Berlin’s iconic techno temple, the Berghain club, this song nods to underground culture while swirling in orchestral influences. It’s not your typical pop track—its lyrics weave seamlessly between German, Spanish, and English, creating an immersive, cinematic experience.

The Anatomy of ‘Berghain’: Voices and Vision

From the first whispered notes, Rosalía’s voice takes center stage. Singing in German and Spanish, she rides dramatic strings that set a haunting yet mesmerizing mood. The transition is masterful: halfway through, Björk enters with her ethereal vocals delivering the line, “The only way to save us is through divine intervention.” It feels like a spiritual awakening. Then, Yves Tumor closes out with a sultry and provocative outro, repeating the rebellious line, “I’ll fuck you till you love me,” adding a raw edge to the song's grandeur.

The German choir’s lyric, “Seine Angst ist meine Angst, Seine Wut ist meine Wut, Seine Liebe ist meine Liebe, Sein Blut ist mein Blut,” translates powerfully to: “His fear is my fear, his rage is my rage, his love is my love, his blood is my blood.” Hearing it layered over sweeping orchestral arrangements is spine-tingling.

If you haven’t yet, give the official video a watch below—it’s a feast for the senses:

Björk’s Praise: A Meeting of Avant-Garde Minds

Björk didn’t just lend her voice—she also expressed her admiration for Rosalía’s artistry. Calling herself “extremely honoured” to participate, Björk wrote on social media, “It is so thrilling to watch this woman grow. Congratulations to her with this incredible album … This concept is fierce!” It’s a powerful endorsement from one of music’s true innovators, underscoring the artistic depth of LUX.

“It is so thrilling to watch this woman grow. Congratulations to her with this incredible album … This concept is fierce!”
— Björk

Behind the Scenes: The Visual Story of ‘Berghain’

Rosalía teased fans earlier this month by sharing piano and vocal scores on her Substack—inviting us into the creative process. Then, a clip surfaced showing a black-clothed orchestra trailing her down a city street, setting the stage for the music video’s dramatic narrative.

Directed by Nicolás Méndez and shot in Warsaw, the video portrays Rosalía as a widower wrestling with grief, gradually finding peace through spirituality and music. The haunting imagery complements the song’s emotional weight beautifully.

Rosalía is followed by a haunting orchestra in the ‘Berghain’ music video.

Announcing LUX: A New Era Beyond ‘Motomami’

Just last week, Rosalía lit up Madrid’s Gran Via by switching off and back on the lights to reveal the album art for LUX—a symbolic moment streamed live to her global fanbase. This new album promises a fresh direction, distinct from her 2022 powerhouse Motomami.

Back in August, Rosalía shared that LUX wouldn’t sound like Motomami at all. In an interview with ELLE, she reflected on the fast-paced music industry and the importance of creating from a place of purity: “The rhythm [of the music industry] is so fast. And the sacrifice, the price to pay, is so high. The driving force that leads you to continue making music, to continue creating, has to come from a place of purity.”

Reflecting on ‘Motomami’: A Modern Sonic Masterpiece

Motomami was nothing short of revolutionary—winning five stars from critics who hailed it as a “super-bendy sonic motorway” that fans would want to revisit endlessly. In the three years since its release, Rosalía continued to push boundaries, collaborating with her then-fiancé Rauw Alejandro on an EP, dropping singles like ‘Tuya,’ and working with diverse stars such as BLACKPINK’s Lisa and Ralphie Choo.

Beyond Music: Rosalía’s Acting Debut

Rosalía’s creative journey doesn’t stop at music. She made a memorable cameo in the 2019 film Pain And Glory and is now stepping into acting with a role in HBO’s Euphoria Season 3. Reflecting on this new challenge earlier this year, she admitted, “This is my first job, eh? Well, I’m learning, I’m figuring it out. I’m trying not to forget my lines, but it’s been really inspiring being beside these amazing actors and actresses. My first time, figuring it out, trying to have fun with it, play around, improvise.”

Final Thoughts: An Epic Collaboration for a New Musical Odyssey

Rosalía’s ‘Berghain’ is a bold, genre-defying track that showcases her evolution as an artist. With Björk and Yves Tumor adding their unique voices, this single is a prelude to what promises to be a captivating new era with LUX. It’s a must-listen for anyone craving music that’s both emotionally profound and sonically adventurous.

FAQ

• What languages are featured in ‘Berghain’?
  The song includes lyrics in German, Spanish, and English, giving it a rich multilingual texture.
• Who directed the ‘Berghain’ music video?
  Nicolás Méndez directed the video, which was filmed in Warsaw.
• When is Rosalía’s album LUX releasing?
  LUX is scheduled to drop on November 7.
• Has Rosalía collaborated with Björk before?
  Yes, they previously worked together on the 2023 charity single ‘Oral.’
• Is Rosalía involved in acting?
  Yes, she is joining HBO’s Euphoria for its third season, marking her acting debut.

Ready to celebrate your love for Rosalía’s groundbreaking music? Shop your favorite album cover poster and bring the LUX vibe home from our store here. It’s a tasteful way to keep the music close, long after the last note fades.